Nodding to the Nathaniel Hawthorne poem and Claude Debussy's Cathédrale engloutie, this work envisions a coastal town completely underwater in the aftermath of rising sea levels. Like a new Atlantis, the town is a graveyard frozen in time. The melodic fragments in the piece emerge and dissolve with little control or regulation. In this hypothetical dystopia, the time to make change has passed; all that remains are the bells of sunken cathedrals, broken bits of antique flooring, and resignation to peaceful sleep.